more »īecome A Better Singer In Only 30 Days, With Easy Video Lessons! They know what is whatįunny my name keeps comin' out your mouthĪnother one in the basket (basket, woah, basket, woah)Īnother one in the casket (casket, woah, casket)Īnother one in the casket (casket, woah, casket, let's go, woah)Īnother one in the casket (casket, woah, casket, woah)īut they don't know what is what (what, woah)īut my shooters'll make 'em dance like dubstep Commercially, "Swish Swish" reached the top 10 in the Philippines and Scotland, the top 20 in Belgium (Wallonia), Canada, Hungary, and the United Kingdom, and the top 30 in Australia, France, Ireland, and the Netherlands. Music critics were divided with "Swish Swish" some praised the track's empowering environment, while others criticized its lyrics. Multiple media outlets suspected that the song was a response to Taylor Swift's "Bad Blood", which was believed to be about Perry. A song about fighting against bullies, "Swish Swish" uses basketball metaphors to talk about overcoming hateful people and thriving.
"Swish Swish" is a house-inspired EDM and hip hop song that samples "Star 69" by Fatboy Slim which in turn samples "I Get Deep" by Roland Clark. The song was initially released as a promotional single on May 19, 2017, and later as the album's third single. It was written by Perry, Duke Dumont, Sarah Hudson, PJ "Promnite" Sledge, Minaj and Brittany Hazzard, while being produced by Dumont, with additional production by Sledge and Noah "Mailbox" Passovoy and vocal production by Passovoy. But when it does hit a climax, it does it confidently."Swish Swish" is a song by American singer Katy Perry featuring American rapper Nicki Minaj for Perry's fifth studio album, Witness (2017). It's a success as far as musicality goes, but, like most pop albums, there are the moments that don't hit a high. It's not a perfect album, but it's definitely a good representation of the current mood of pop and even offers room for experimentation. Katy Perry finds new influences on Witness, revitalizing her sound and bringing in a new era on a fresh note. With that track out of the way, the album ends sweetly on the piano ballad ' Into Me You See,' bringing it all out on a warm note. At least Quavo brought along the rest of Migos along for once. Then there's the entirety of ' Bon Appétit,' which is just an overall cringey experience.
There are some really powerful moments - the retrospective " I miss you more than I loved you" is a really beautiful line. In that way, there are plenty of tracks that are hit or miss. The album is definitely defined, in part, by its lyrics. Though plagued by oddly distorted percussion far too much, ' Power' has an empowering vibe to it, similar (though paling in comparison) to the song she released for last year's Olympic Games, ' Rise.' ' Déjà Vu' has a dark and mysterious sound to it that sounds really nice, even though " Rubik's cube" doesn't translate to well as a vocal. The chorus spirals out in a sweet way, though it does wish it could have a bit more power to it. It opens with the sweet intro of ' Witness' before the chill but dark instrumental kicks in, the occasional epic high coming into fruition. The vibe of the album is overall something darker than your typical Katy Perry album.
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